Posted in Common Interest

Our founder, Gosia Piatek, sat down with filmmaker Ed Sayers and producer Rebecca Wolff—the creative team behind Super Nature, a feature-length documentary shot entirely on Super 8 film—currently playing at the Melbourne International Film Festival. They discussed creativity, patience, circularity, and why working within limits is what the future needs.


On creative serendipity

Gosia: When we visited Derek Jarman's garden at Dungeness earlier this year, we borrowed one of your Super 8 cameras without really knowing where it would lead. Then your film came up as one of the titles we could support through Melbourne International Film Festival. It felt like this strange thread connecting everything together.

We'd gone there because our design team had been studying Jarman's relationship with nature and his workwear. We filmed the garden on Super 8, and suddenly we're here talking about a feature film made entirely on the same format. It felt meant to happen.

Ed: I love that. It's funny how creative projects seem to find each other.

1
2
  • A close-up film strip showing a bumblebee pollinating white coneflowers with a yellow-orange center, set against a soft green leafy background.
  • A person in a striped shirt holding a black and gray video camera up to their eye, photographed from behind, with green foliage and pink coneflowers in the background.

The goal isn't to be the only company doing this.
The goal is for these ideas to become normal.

On collective action 

Ed:
One of the beautiful things about making Super Nature was that it wasn't really our film. We invited filmmakers all over the world to tell stories from the places they knew best. We weren't directing every shot—we were trusting people to bring their own perspective. Forty different voices became one film.

Gosia: That's what inspires me most. None of us solves these problems alone. When people openly share ideas instead of protecting them, everyone moves forward. That's why we've always shared our suppliers, our factories and our processes. The goal isn't to be the only company doing this. The goal is for these ideas to become normal.

Video poster Video poster

The beauty of limitation

Ed:
People often ask whether shooting on Super 8 is limiting. Of course it is. But that's exactly why it's exciting. When you've only got a few minutes of film, you don't just point the camera at something and hope. You spend time watching. If you're filming a dragonfly, you learn its behaviour first. You begin paying attention in a completely different way. The limitation forces you to become present.

Gosia:
I think fashion works the same way. People imagine endless choice, but our designers actually work within incredibly tight parameters. We use one fibre. We avoid plastics. Every trim is considered. Finding a biodegradable elastic might take years. Developing a new button can take years.Those limitations don't stop creativity, they create it.

Why slow still matters

Ed:
This film took years to make. We'd shoot film, send it away, wait for it to come back, then begin assembling the story. You can't instantly check the footage. You simply have to trust the process.

Gosia: Our collections work the same way. From picking the cotton to spinning the yarn, weaving the fabric and making the garments, the process takes around eighteen months. You don't really see the collection until it arrives. You open the box and think, "Well, this is what we've made." There's no undo button.

Ed: That's exactly it. Working slowly makes you commit. It asks you to pay attention. I sometimes wonder whether we've mistaken speed for progress. We're surrounded by technology promising to save us time—but somehow everyone feels busier than ever. The longer way around can actually be the more satisfying one.

Hope is built, not found

Becca:
Something that comes through so strongly in the film is hope. Not blind optimism, but people actively trying.

Ed: Exactly. It's very easy to become overwhelmed by climate anxiety. Social media makes it feel like everything is broken all the time. But doing something, however small, changes your relationship with that feeling. Plant something. Learn something. Protect one place. Those actions don't just help nature. They help you.

Small actions, shared futures

Ed:
I don’t think it’s about striving for perfection. We're never going to live without contradiction. We can’t sit here pretending we’re polishing some halos. We all travelled here today. Our film is shot on physical film with a plastic base. It’s not about a choice to either switch to some sort of impossible perfection, or do nothing. I think it’s about habitually trying to improve our ways, and affecting collective consciousness in doing so.

Gosia: Exactly. Sometimes people think sustainability only matters if it's perfect. I don't believe that. I think change happens through thousands of decisions made every day.

Vote.
Support businesses trying to do better.
Repair something instead of replacing it.
Buy less, but buy well.
Those things matter.

Because hope isn't something you wait for. It's something you practise.

Kowtow is the proud partner with the Melbourne International Film Festival for the premier of Super Nature — a film exploring our relationship with the natural world and the futures we choose to shape.

more from the journal