Our commitment to nature is evergreen. We use only 100% Fairtrade organic cotton, and with each new collection we move closer to our goal of 0% plastic. With a goal to leave the world better than we found it, that we share with our community, we’re looking to inspirational women to see how they are inspired by their natural environment and how they keep close to it, every day.
There is a kōrero that has become synonymous with Māori art, it is a kōrero that reflects both where Māori art originated and where it is going. It is that Māori makers have a tradition of innovation, acknowledging that Māori have always taken up new technologies as they arrived in Aotearoa or have been developed here.
For a number of years, museums and galleries have been grappling with their role and responsibility towards climate change. As institutions traditionally concerned with preserving and celebrating narratives of colonialism, globalisation, capitalism and modernity, they are intimately bound with the root causes of impending ecological collapse. Coupled with high-carbon, high-waste activities such as touring exhibitions and affiliated packaging, trends in international vernissage attendance, collecting, and preservation (often stolen objects at the heart of the ‘decolonising museums’ debate), the sector’s impact is vast.
Thumbs Up New Zealand (Tino Pai Aotearoa) is an exciting movement working to progress the creation of a unified nationwide waste and recycling strategy so that Aotearoa can be empowered to transition out of our waste crisis. We believe that together, we can make for positive change to this smelly situation.
As we enter this critical new decade, and remain immersed in coping with this unprecedented global pandemic, the urgency of the climate crisis, and therefore the importance of nature-based solutions in repairing the damage that we have done to the planet has become clearer.
Founder and director of Kowtow, Gosia Piatek, in conversation with Allbirds Head of Design Jamie McLellan, and product designer Simon James of Simon James Design and Resident.
When we think of solar technology, we think of the reflective panels on roofs. We know they turn sunlight into electricity, and we merely expect them to simply function. But, when you think about it, sunlight is free and available to everyone. We get it in abundance. In fact, WE RECEIVE ENOUGH SUNLIGHT EVERY HOUR TO PROVIDE THE WORLD’S ELECTRICITY FOR AN ENTIRE YEAR.
As we celebrate World Fair Trade Day, we think of our friends and manufacturers in India who are in the midst of disruption caused by COVID-19. The pandemic has threatened vulnerable garment workers around the world, and for us, this is a time when respecting people and our planet has never been more pertinent.
Stacey Cotter Manière is a Poet and Creative Director based in Sydney. She has worked in the fashion industry across Europe, Asia and Australia for the past 14 years. She enjoys storytelling through various mediums and the cross-pollination that happens as a result.
During these unprecedented times, a certain mind-set has surfaced stating that COVID-19 is some form of gift to nature due to the reduction in pollution levels caused by quarantine measures.
The difference between performative and genuine sustainability in fashion, and why your individual choices matter
Performative sustainability, also known as ‘greenwashing’ occurs when instead of making a tangible change via addressing the factors related to sustainability (e.g. making supply chains and products sustainable, ethical, recyclable and beneficial to underprivileged communities), businesses instead engage in performative actions that appear to engage and action sustainable practice.
What happens when we think beyond the current understandings of sustainability in the fashion industry
Life is the cost that is sacrificed to sustain economic growth, and sustainability has now, in many ways, become a slave put to work to serve the system. I believe that any truly ‘sustainable future’ requires an entire paradigm shift, and in order to think beyond our current paradigm we must first expand our visions for the future of fashion.
Six years ago, I hadn’t planted a single seed. Now I spend almost every waking moment tending to thousands of them. My journey is fuelled by my wonder at the generosity of the natural world. I started with a small 10sqm patch in my first flat, which produced for me an abundance of corn, pumpkins and tomatoes.
To say the last year or so has been weird is perhaps putting things lightly. Weird it has been though, for me, and for many around the world. Talking to musician Stella Rose Bennett — or Benee as we know her — there are levels to this weirdness, and it comes with a kind of conflict.
The word ‘unprecedented’ has been thrown around a lot lately. You can find it everywhere, from social media to corporate marketing efforts and commercials on television. But there is nothing unprecedented — some- thing never done or known before — about these times.
Kowtow is more than a fashion brand, and through Common Interest, we continue our commitment to leaving the world better through a collaboration with like minded visionaries. Built on the ethos that great minds think differently, but often find common ground - Common Interest is available exclusively in Kowtow stores and online from 14 March 2021.